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Freelance comic book creators significantly contribute to the industry, developing many characters and stories, despite publishers often being recognized for owning the intellectual property. While issues with the work-for-hire system are discussed, the underlying agreements remain underestimated in their impact. Kamal Hennessy addresses this by exploring the legal rationale, economic realities, and fundamental concepts related to these contracts. In copyright law, the creator typically owns the work, but the work-for-hire doctrine is an important exception, where the employer—whether a firm, organization, or individual—is deemed the author, even if the actual creation was done by an employee.