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Freelance comic book creators are essential to the industry, even as publishers receive acclaim for their intellectual properties. While issues with the work-for-hire system are often discussed, the underlying agreements that shape these relationships are frequently overlooked. Kamal Hennessy aims to address this by exploring the legal rationale, economic implications, and core concepts of work-for-hire contracts. A key principle of copyright law is that the creator of an original work typically owns it; however, the work-for-hire doctrine alters this by designating the employer as the author, regardless of who actually created the work. This employer can be an individual, firm, or organization.