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In this video tutorial, Rafael demonstrates how to calibrate Log footage easily and effectively without special plugins. He explains that color correction can be done in any editor with color tools, with walkthroughs available for DaVinci Resolve and Final Cut Pro. Key topics covered include setting exposure and contrast in Log3, white balancing with and without a color chart using a waveform, correcting skin tone issues with a vectorscope, ensuring skin tone is appropriately between 40 and 70 IRE, and establishing presets for all footage. This process is designed to improve workflow and reliability when working with Log footage.
