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So when we talk about the system of continuity editing, I think its easy to lose sight of the forest for the trees. In sum, what we mean is to refer to an approach to filmmaking that privileges seamlessness above all else. When a filmmaker asks, Does this cut together? What shes referring to: a much more complicated idea whether one shot can be joined with another in such a way as to further the goals of the film, often to advance the narrative without disrupting the audiences viewing experience in a way that we would say breaks continuity. And one of the ways of doing so is the opposite of the elliptical edit, the overlapping edit. With overlapping editing, filmmakers repeat the same action multiple times, often from different vantage points in quick succession on screen, and this ends up having the opposite effect of the elliptical edit. Rather than condensing the time of an action onto the screen, the result is an extension of the screen duration of an action. The cl