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Typography is a tool that we use to communicate a message through text. In amp;quot;Thinking with Type,amp;quot; Ellen Lupton wrote that typography is what language looks like. While in amp;quot;Types and Typefaces,amp;quot; J. Ben Lieberman stated that the typeface is the trader part of the tool, because it determines the way the message looks--pleasant, pretty, messy, painful, meaningful-- which affects the readeramp;#39;s reaction to the message. But what does this all mean in a composition? Limit the number of typefaces used. Consider the length of the text. You donamp;#39;t want to go on and on and not say anything new do you? This might start to bore the audience. Then they they might yawn and fall asleep in the middle of Make sure that the text isnamp;#39;t TOO LARGE or too small, too HEAVY, too light. It should be just right. What about the differences in type? Does it matter? Serif, sans-serif, thereamp;#39;s a history of arguments about which is better in print and