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for 260 shots in the film we had to complete an authentic performance that was as close as we could imagine to the performance that Paul would have given for the character of Brian and Connor on set the baseline performance was created with pause brothers Caleb and Cody this gave the filmmakers the ability to direct light and edit the feature and also for the other actors to perform and interact with after each setup we recaptured the facial performance in an 8 camera photogrammetry array from this we could replicate a digital version of the onset performance however although this was great for timings to remain faithful to Paulamp;#39;s creation of the character of Brian we always went back to the source it was vital for us to constantly reference footage from the previous Fast and Furious movies not only to keep the nuanced detail and unique physiology of Paul but also to keep the integrity of the character rather than use artistic interpretation or another actors interpretation of
