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what weve done with some of our force perspective shots is be able to move the camera for the first time that they were always techniques that required the camera to be locked off because once you started to move the camera it would give away the illusion of one person being further away when you really wanting them to look like this side by side in order to get the camera alive we started thinking about ways of using motion control in order to doing what we call moving force perspective shots using slave motion control basis you do a motion control move where you have the one actor on a moving platform so when the camera moves youre doing your moves all relative so youre literally sliding the guy along on the floor as your key as your motion control move is motion control cameras moving along you have a camera on a motion control dolly making it move in and out or side-to-side but you have another smaller dolly thats electronically hooked to it and does the exact same motion but