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Type is something we consume in enormous quantities. In much of the world, itamp;#39;s completely inescapable. But few consumers are concerned to know where a particular typeface came from or when or who designed it, if, indeed, there was any human agency involved in its creation, if it didnamp;#39;t just sort of materialize out of the software ether. But I do have to be concerned with those things. Itamp;#39;s my job. Iamp;#39;m one of the tiny handful of people who gets badly bent out of shape by the bad spacing of the T and the E that you see there. Iamp;#39;ve got to take that slide off. I canamp;#39;t stand it. Nor can Chris. There. Good. So my talk is about the connection between technology and design of type. The technology has changed a number of times since I started work: photo, digital, desktop, screen, web. Iamp;#39;ve had to survive those changes and try to understand their implications for what I do for design. This slide is about the effect of tools on form. The t
