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hello and welcome to episode 90 of things iamp;#39;ve learned from barry harris and today i thought we would discuss um playing when weamp;#39;re talking about chording just playing a plane d7 just a plain d7 now the only reason why iamp;#39;m making a video discussing this is because i made the mistake for a long time of thinking every time i came up across a dominant chord like for instance if we were in the key of g and we played a minor d7 i would always do something different to the d7 to alter it to make it sound you know altered obviously because itamp;#39;s a beautiful sound all the altered sounds are beautiful but as very people now we know all of the altered sounds comes from one or more of the other scales of chords so but what i was overlooking was just this plane d7 not altering anything just playing a plane d7 now as barry people we know that this is not just a plane d7 you could think of it as coming from the d7 diminished scale which is just if you put the f
