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Id like to talk to you now about the picture, now that the cleaning is more or less finished. You can see the work that we talked about previously where Ive been reducing the old, discoloured varnishes and taking away historic retouchings, which had discoloured, has now been completed across the whole of the painting surface and its been given a temporary varnish and the cleaning is more or less as I would like it to be. You can see evidence of some changes in format that happened during the course of the pictures subsequent life that is to say probably around a hundred years ago was glued on to another canvas that is relined. Some decisions were made at that time to kind of change the way the composition worked by taking what had been the folded over turn over edge that went around the original stretcher and folding it out, extending it, putting this white filling on the raw canvas and then, you remember from before, there was a dark line of paint which had been put on probably
