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[Music] well if no two paintings are alike no two conservation processes are the same the way I work is by first examining the painting and trying to understand all of the issues [Music] its really high stakes because theres no margin of error if the colors not quite right or the texture isnt a match then the viewer will see it and all of the hard work thats gone into the restoration thus far will be betrayed by the battery touching conservation at its heart really is problem-solving you may have to invent a technique or employ a new material to solve the issue and when everything gels and you hit the target its really exciting