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Have you every tried to photograph a white dog that ended up with over exposed blown out highlights otherwise know or shown via the blinkies or alternatively ended up with a really really really dark scene under exposed because your camera over compensated in the metering. If so youre really not alone I want you guys to meet Toto as in wolf from Formula 1 not Dorothy and the wizard, sure hes not white white but hes very very light and with the golden hour of sunshine happening in the background this is actually a really good example of this problem and how to make sure that you can avoid it in the first place. Firstly youre going to have to decide whether youre shooting on manual mode or on a semi automatic setting. If youre on manual its easy to handle on a mirrorless camera with the electronic View Finder showing you as your settings change the resulting effect that thats going to have but if you run a DSLR its going to be a little bit more tricky youre going to
