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Stanford University Berkeleys Richard Taruskin is known for among many many other things his pioneering work on 19th and 20th century Russian music including monographs on music ski and Stravinsky this lasts a two-volume 1800 page study Stravinsky and the Russian traditions published in 1996 there is also a substantial collection of essays called defining Russia musically in one of these essays which reflects on how historians have written about Stravinskys Rite of Spring Richard called for and I quote a softening of the boundaries between history and theory both in quotes and being softened thereby between historiography and criticism and between the extra musical and the music itself also both in quotations indeed many of you know Richard as a music critic who has contributed pieces for the New York Times and other high exposure publications in which he is advocated and practice that softening in his inimitably controversial style since 2005 however he has earned an even more compr