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the norm is you know 8% I just put the other kids percent what she was saying its always good put everything in the contract related to that while the split sheets will actually take care of that so thats what the split seats are for you know this bliss you said the percentages but most do producers most producers dont the the publishing side doesnt change its on 30% and 50% to the writers the point side which is the record is not even proper recorded music that changes so you might get three points which means 3% of the record the record world tease new new artists in producers may get to a regular producer gets three super booster gets four or five Ive seen seven before for lightning super super to do stuff but I mean typically youre gonna want to Abby you want to want to stick with three if you if you kind of middle the road I think if you have like a publishing deal depends on the form of agreement you have they give you a like a master buyout I think sometimes they do like
