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how you express it visually because valence your signatures you very creatively exploring underexposure right right scene all films I seen you based for you is not under exposure for you itamp;#39;s dark exactness which is very very delicately inserted in whole fabric of the film or you found different way of illustrating this is this idea of visualizing this idea yeah I think I think is to be turned is to be determined if I found a new way I think what I tried to do is just be true to my process which is you know this level you know under exposure for me just comes naturally itamp;#39;s something that you know when I turn on a light or turn off a light more than more than you know more times than not Iamp;#39;m turning off lights but when I turn on the light and you know you know I work at a linen I work in Landsat a particular f-stop thereamp;#39;s certain things that have to happen in order to meet in order for me to feel like Iamp;#39;m doing the right thing for the film and s
