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Freelance comic book creators are essential to the industry, developing characters and stories while publishers gain recognition for owning the intellectual property. Despite frequent discussions about the challenges of the work-for-hire system, the underlying agreements that shape these relationships often go unnoticed. Kamal Hennessy aims to address this by discussing the legal rationale, economic realities, and fundamental concepts of these contracts. A key point in copyright law is the ownership associated with creation; typically, the creator owns their work. However, under the work-for-hire doctrine, the employer—be it a firm, organization, or individual—is deemed the author, even if the employee created the work.