Adjust spot in LOG

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Aug 6th, 2022
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How to adjust spot in LOG

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this shot has a major problem if you look into the sky you see all of this banding now this shot is from an adventure film that i just finished and i posted a few days ago all around my trip to death valley and in this project i had a lot of really complicated color grades because out in death valley you have this stark contrast between super bright highlights and super dark shadows and so when you start pushing your colors around and doing a color grade parts of the image will break apart now this shot was filmed on the dji mavic 3 and i donamp;#39;t have the cine version so iamp;#39;m not using apple prores and youamp;#39;re limited even with a 10-bit camera you can still push the image too far and youamp;#39;ll have issues like this where the sky has this crazy banding in it so in this video iamp;#39;m going to teach you how to fix a problem like this in your color grades and if youamp;#39;re new here this channel my name is jevin dovey and on this channel iamp;#39;m going to

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0:02 6:47 So right now we are in a footage that i actually graded it looks pretty decent. I am not the bestMoreSo right now we are in a footage that i actually graded it looks pretty decent. I am not the best colorist. But i try. And so this one was graded. This is what it looks like not graded.
So how do we expose LOG correctly? Expose to the right (meaning to the right of the histogram i.e slight over exposure). Use an 18 percent grey card. Send a normal REC 709 curve to the monitor/eye peice and expose that as you normally would.
The most important thing in editing stock footage is finding the right clip and format. Once youve done this, you can begin the process of color correcting and grading, reframing, playing with speed, and adding VFX, transitions, audio, and other things.
Tools such as the Lumetri Color Panel in docHub Premiere Pro CC and the Color Board in Apple Final Cut Pro X, make it easy for the an editor to work with log footage and make color adjustments. These tools are quite robust and mimic some of the foundational color tools found in traditional color grading suites.
Log footage is designed to be color graded in post-production, where you can restore the contrast and saturation, and apply creative adjustments to enhance the mood and style of your video.
Log grading is specifically used when the footage has been shot in a log format, which is a type of video format that preserves more details in the shadows and highlights of the image. In log grading, the colorist adjusts the colors in the log footage to make them appear more natural and balanced.
The library of high quality footage on Editstock provides all levels of editors the opportunity to get better at their craft and showcase their work. EditStock is a breakthrough resource for anyone aspiring to become a professional film or television editor.

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