Add light in the Wedding Photography Schedule

Aug 6th, 2022
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How to add light in the Wedding Photography Schedule

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hey guys this is Patrick Hall with F Stoppers comm and today Im releasing a small section from our 14 our wedding tutorial on how to light your receptions were going to go through four different ways that you can set up lights so you get perfect shots at your reception if you want more information about the full length DVD head over to F stoppers comm slash wedding DVD but I hope you guys find this useful and enjoy now its time to talk about wedding reception lighting and I know theres a lot of wedding photographers out there or photographers that want to be wedding photographers that just claim well I like shooting natural light I dont really want to use strobe and thats fine in many cases but when it comes to lighting the reception you really have to bring strobes I mean in some cases receptions are taking place outside at night and theres no lighting whatsoever if they do take place inside its usually lit by DJ lights which are crazy white bounces or theres decorative light

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Best Aperture for Weddings Again, wide aperture, such as f/1.8 or f/2.8, can help to create a shallow depth of field. This will blurr the background and emphasize the subject. Additionally, the wider aperture youre able to use the better youll be able to balance that with your shutter speed.
Lighting Methods for Photographing Wedding Receptions Raw On-Camera flash. This is the simplest flash lighting possible. Remote Strobes. By far the most elaborate, setting up off-camera strobes requires the photographer to have at the very least 1 set of strobes. On-Camera Bounce Flash. Ambient Light.
Working with a low f-stop is key here, ideally 1.2 or 1.4. Shutter speed is also important, because youll want to let enough light in while still keeping your subject in focus. Practice ahead of the big day by experimenting with both to get comfortable with the technique.
Generally, a faster shutter speed (1/125 or higher) and a smaller aperture (f/2.8 to f/9) help balance the flash with ambient light. Keep the ISO setting as low as possible (100-400) to minimize noise.
Natural light can also look amazing. In general, I think most wedding clients prefer that look. Its hard to beat window light or light during golden hour. Ive tried to use flash power to create that look, but most of the time, it doesnt look as good.
One of the crucial conditions is that the event space has white ceilings under 30 tall. What I do is I bounce my on camera flash onto the ceiling so I get a soft, diffused light. I generally bounce the flash at a 45 degree angle to the left or right depending on where my subject is looking.
The lights should be at 45 angles from the art and camera. Use the standing lights with the umbrella diffuser attachments for soft, even light. This is an overhead view of optimal lighting setup. Note that the exact angle may be adjusted to accommodate various surfaces and reflectivity in your artwork.

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