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so the one idea that instantly helped me paint any subject was painting it with the right amount of blockiness now it doesnamp;#39;t matter if youamp;#39;re painting a piece of fruit in a still life a tree in a landscape or somebodyamp;#39;s face in a portrait I promise you once you get a hold of this idea of blockiness it will take all your paintings to a new level now Andrew Loomis talks about this in his book which was very very helpful and Iamp;#39;ll put up on the screen here for you to pause and read at your leisure what he had to say about blockiness but to summarize it what heamp;#39;s talking about is that when you paint a face too smooth and too round it has a certain slickness to it and lacks any weight or structure and can be kind of boring but on the other hand if you draw and paint it in to blocky itamp;#39;s going to be very rigid and give the subject a hardness that it doesnamp;#39;t deserve the goal is to try and aim for somewhere in the middle you want squared
