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the subject of this lesson is dialogue Ill break the lesson into ten parts into ten mini lessons each dealing with a specific fault or problem in dialogue and then give you ways to correct these faults and hopefully rewrite your dialogue successfully whether written for television or the stage or the big screen a scene and its dialogue must inspire and enable the best possible performances from its actors in that for the same reason a pro scene written for a novel or short story must inspire the reader to envision superb performances from imaginary characters because no matter how complex the psychology of your characters no matter how emotionally compelling how deeply meaningful your story design if your characters cannot talk in a manner that is true to their natures true to the conflicts they are living true and credible to the ear of the audience to the reader in other words if your dialogue sucks all your wonderful storytelling all your character complexity will be buried under t