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chapter one section two the musical world is largely divided between those that understand and leverage the value of copyright and those who do not many publishing and record executives would love to get you into into the position of building their little nest of intellectual property called copyrights by signing over what you create to them and they would love to have you running around selling the physical items they will then own the albums the videos the music books for a bit of cash i say a bit of cash because of the billions of dollars that are made and lost in the music industry every year but now you know what the music executives know about the great dividing line between you and them much of the rest of the freedom guide will help you leverage that knowledge to your advantage when you have written down your song or recorded it for the first time you have created an exclusive bundle of rights slapped under the general title copyright these love rights are laid out in the unite