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Iamp;#39;ve taken on a rather large subject but I promise not for too long but my topic today is Bonar and modernism so I think we can begin it has been 60 years since Pierre Bonnard was buried in a quiet Cemetery a few hundred yards from his beloved house in lacunae 60 years during which this most elusive of artists has been the subject of critical appraisal and reappraisal we continue to rediscover Carbone our art history texts have simply Anor ignored his place in modernism as Jack flam eloquently argues in his catalogue essay boner just didnamp;#39;t fit into the master narrative of revolutionary movements in French art Fauvism cubism surrealism and early conceptualism editing him from that rest of dialog in the early decades of the 20th century was the obvious solution and yet the development of that dialogue was not seamless there were excursions great artists whose aesthetics deviated from the mainstream and bone ours trajectory was on one such lateral path the closest Bonar w