If you edit files in different formats day-to-day, the universality of the document tools matters a lot. If your instruments work with only a few of the popular formats, you might find yourself switching between software windows to change shadow in LOG and handle other document formats. If you want to take away the hassle of document editing, get a solution that will effortlessly manage any extension.
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calibrating see log footage is actually much easier than you think with a tiny bit of knowledge youll be able to go from this to this in about one minute today Ill show you how to do it without any special plugins or lets Im Rafael and welcome to the channel conversion lots are great when they work what do you do when they fail and they will fail this technique Im using in this video will work in any editor that has color correction tools I did this exact same walkthrough in DaVinci Resolve and Final Cut Pro you can find those links in the description below in this video well talk about how to set the exposure and contrast properly in log3 how to easily white balance with and without a color chart using the waveform how to correct skintone issues using the vectorscope how to check to make sure that the skin tone is set between 40 and 70 Ayari and exposed properly how to set the presets to use on all your footage and how youll never have to ask for