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what weamp;#39;ve done with some of our Force perspective shots is be able to move the camera for the first time that there were always techniques that required the camera to be locked off because once you started to move the camera it would give away the illusion of one person being further away when youamp;#39;re really wanting them to look like theyamp;#39;re side by side in order to get the camera alive we started thinking about ways of uh using most control in order to doing you know what we call moving Force perspective shots using uh slave motion control bases you do a motion control move where you have the the one actor on a moving platform so when the camera moves youamp;#39;re doing your moves all relative so youamp;#39;re literally sliding the guy along on the floor as your as your motion control move is is motion control camera is moving along you have the camera on a motion control Dolly making it move in and out or side to side but you have another smaller Dolly that
