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Hi everyone, Grant Kay here for the Flame Premium Learning Channel. In this video, we are going to look at a Final Cut Pro XML conform using Camera RAW media. It is important to note that the offline used the same set of Camera RAW media. The workflow is actually straightforward since the same set of media is maintained through the production pipeline. If you wish to go through the workflow of conforming a Final Cut Pro XML that was off-lined using a different version of transcoded media, than please see the other video in this series. There are also other videos that deal with the same topics but focus specifically on the Avid AAF. Before we go through the various processes, I would like to set the context around this workflow. Firstly I am using Final Cut Pro 10.1.3 and Flame Premium 2015 Extension 2 which are both current when this video was produced. Secondly the Camera RAW media I am using is RED media. This RAW format alongside other formats like ARRIRAW are filled with metadata